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发表于
2019-4-20 16:10:29
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不谢邀。
1. Chopin: Fantasie-Impromptu, Op. 66
Despite large amounts of uninterrupted brilliant semiquavers of right hand which seems difficult to play but you can play them as perfectly as you imagine with the appropriate fingerings. The composition had been included in the former amateur examination textbook of piano subject (grade 10) by the Music Examination Committee of the Chinese Musicians’ Association, whose version is fingering by Ignacy Jan Paderewski. Apropos, although Chopin’s works edited by Paderewski are not urtext, they are still widely used.
2. J. S. Bach: Italienisches Konzert, BWV 971 (3rd Movement)
This is a renowned solo keyboard work played by numerous pianists and harpsichordists. The third movement, with the tempo mark "Presto", has large amounts of uninterrupted brilliant quavers sounding freaking awesome. Unlike those romantic works, Baroque works seldom has dynamic signs, for it's impossible to play a sonorous chord and a soft note simultaneously on the harpsichord, which in a way make it easier to play, even though Bach marked some pianos and fortes somewhere. Note that the dynamic range should be controlled between pp and mf, for the volume of harpsichord is too small, and, as usual, strictly follow the appropriate fingerings.
3. Liszt: Hungarian Rhapsody No.6 in D flat Major, S.244/6
As it is known to all, works by Liszt are famous for their complicated techniques. However, this work which has repeatedly continuing octaves is not so difficult to play. Generally speaking, two fortnights are enough as long as you practise effectively.
To sum up, all these works have something in common:
1. the tempo should be allegro, allegro assai, vivace, presto,etc.
2. The notes are running at high speed but they are easy to practise.
3. Some fragments of the melody are similar or repetitive. |
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喧嚣卡
千斤顶
照妖镜
