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发表于
2019-4-24 14:37:30
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这里推荐给题主一本书http://rrurl.cn/8ihv1C,书的作者是Worcester Polytechnic Institute毕业,后来在贝尔实验室工作的一个科学家,他小的时候练过很长时间的钢琴,但是并没有学会。成年后发现自己的女儿学钢琴学起来很快,于是又重新研究起来了钢琴,不过这次是从一个科学的角度来研究应该是如何学习钢琴的,可能会对你有所帮助。
注:PDF中有简体中文和繁体中文的链接,不过质量不好
作者在书的第一章提到了写这本书的核心目的
The most important message of this book, is that piano skills can be learned in a short time, if the correct learning procedures are applied.
其中不少观点都是有启发意义,比如作者认为单纯地练习指法技巧是没有效率的
If we concentrate only on developing "finger technique" and neglect music during practice, we can pick up non-musical playing habits. Non-musical playing is an absolute no-no at all times because it is one form of mistake.
比如我们都知道双手协调的重要性,但是在学习新指法技巧的时候,不宜刚开始就采用双手练习的方法
Essentially 100% of technique development is accomplished by practicing hands separately (HS). Do not try to develop finger/hand technique hands together (HT) as that is much more difficult, time consuming, and dangerous, as explained in detail later.
比如这些练习方法都是没有效率的
(a) First, practice scales or technical exercises until the fingers are limbered up. Continue this for 30 minutes or longer if you have time, to improve technique especially by using exercises such as the Hanon series.
(b) Then take a new piece of music and slowly read it for a page or two, carefully playing both hands together, starting from the beginning. This slow play is repeated until it can be performed reasonably well and then it is gradually speeded up until the final speed is attained. A metronome might be used for this gradual speed-up.
(c) At the end of a two hour practice, the fingers are flying, so the students can play as fast as they want and enjoy the experience before quitting. After all, they are tired of practicing so that they can relax, play their hearts out at full speed; this is the time to enjoy the music!
(d) Once the piece can be played satisfactorily, memorize it and practice “until the music is in the hands”.
(e) On the day of the recital or lesson, practice the piece at correct speed (or faster!) as many times as possible in order to make sure that it is in top condition. This is the last chance; obviously, the more practice, the better.
不过有两点是值得注意的,一是这本书有很多地方说的很绝对,比如作者着重强调了Mental Play的重要性。
The only way to memorize well is to learn Mental Play (MP).
如果题主有兴趣,可以专门思考一下作者如此强调的原因。(我觉得有营销之嫌,但里面的内容依然很有帮助)
二是作者在书的开头提示,这些训练是越早越好。虽然作者没有说成年之后再学钢琴会很艰难,多多少少也是会有影响。注重方法固然重要,如果时机把握不对,可能依然不会取得满意的效果。
祝好。
有知友补充了自己的研究 @欣同~~~
学钢琴的“习后进步”(Post Practice Improvement, 简称PPI) - 欣同的文章 - 知乎专栏 |
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